Lady Wray made sure that soulful vocals and funky horns were well represented with her turn on the Moon Stage while visitors floated along the lake. JPEGMafia punctuated any sense of psych-rock monotony, perceived or otherwise, with his brand of acid-washed hip-hop/R&B, which included both a surprising cover of Carly Rae Jepsen’s “Call Me Maybe” and a song about Morrissey. There were more than sprinklings of EDM, from the self-aware, semi-brutalist European techno of Charlotte Adigery and Bolis Pupul to the bouncy house of Nosaj Thing’s DJ set, both at the Sanctuary stage. To be sure, Desert Daze was (and is) anything but one note when it comes to its sonic stylings. Instead, those who stuck around for Sunday’s shows were treated to the mellow melodies of Beach House, followed promptly by the Tame-meets- Cage the Elephant crosscurrents that have Pond (finally) on the rise now 14 years and nine albums into the band’s amorphous run from Perth to prominence. Iggy Pop would’ve truly put the event over the top, if not for his French band being denied visas, thereby depriving attendees of the punk legend’s presence. tour with yet another wacky, loud, and frenetic show full of stage antics, including singer-guitarist Stu Mackenzie crowdsurfing his way into the water after midnight. King Gizzard & the Lizard Wizard returned stateside to kick off their latest U.S. Tame Impala drew devotees from all over the planet to hear Kevin Parker and company play his seminal work, Lonerism, from end to end. To celebrate its tenth anniversary and third iteration at Moreno Beach in Lake Perris, CA, Desert Daze pulled off its biggest event yet. What began as a free, 11-day “Moon Block Party” in Desert Hot Springs back in 2012 has since morphed into a global psychedelic rock summit and a must on the calendar for any dedicated “festivalian.” But that doesn’t mean that those who maintain an undying love for guitar, bass, and drums (and, perhaps, some keys and synth) must wander aimlessly across the festival landscape for the rest of eternity.įor those folks and many others, Desert Daze feels like home. Nowadays, pop, hip-hop, EDM, and reggaeton are among the broad swath of genres that more commonly command marquees at the biggest festivals in the world, on a circuit that grows denser seemingly the day. Perry Farrell brought all of his eardrum-busting buddies-including his own band, Jane’s Addiction-to bear on his beloved brainchild, Lollapalooza. Radiohead, Red Hot Chili Peppers, and Rage Against the Machine ruled the roost at Coachella. Once upon a time, rock reigned supreme over the summer festival season.
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